![]() ![]() ![]() ![]() All of the original Byrds worked the song into their repertoires after the group disbanded, notably Clark and McGuinn. The result is a more expansive, inclusive vision of pop, music that keeps rewriting its history with every beat. Play and download Eight Miles High (Live 1970) by The Byrds - and other songs including You Aint Going Nowhere (Live 1970), Lover Of The Bayou (Live 1970). McGuinn and another lineup of the Byrds would continue their explorations of Eight Miles High a few years later, with 20-minute live versions of the song a highlight of their hippie-era concerts. From the start, the Byrds knew they were getting into something new and significant with 'Eight Miles High.' In early 1966, there still wasnt much that sounded like it. More than half the songs here - 254 in all - weren’t present on the old list, including a third of the Top 100. Where the 2004 version of the list was dominated by early rock and soul, the new edition contains more hip-hop, modern country, indie rock, Latin pop, reggae, and R&B. They each sent in a ranked list of their top 50 songs, and we tabulated the results. Ward to Bill Ward - as well as figures from the music industry and leading critics and journalists. To create the new version of the RS 500 we convened a poll of more than 250 artists, musicians, and producers - from Angelique Kidjo to Zedd, Sam Smith to Megan Thee Stallion, M. So we’ve decided to give the list a total reboot. Album: Fifth DimensionCharted: 24 - UK 14 - USA/1966Live at The Fillmore East, NYC, 1970All rights belong to their respective owners. But a lot has changed since 2004 back then the iPod was relatively new, and Billie Eilish was three years old. Eight Miles High singel av The Byrds frå albumet Fifth Dimension: B-side «Why» Utgjeve: 14. It’s one of the most widely read stories in our history, viewed hundreds of millions of times on this site. Barry from New York, Nc In 1970 the Byrds turned 'Eight Miles High' into a jam warhorse. I mean he did conceptually: he knew how to leave holes (and wholes!) at first to set up tension, he knew how bring the main theme back in before just randomly splattering notes everywhere, but the fact that he was in no way a virtuoso was what made all three solos so powerful.Īnd so what does it all add up to? A single that must have been incredibly weird to hear over the radio, one of the first psychedelic songs – predating even “Rain” or “Tomorrow Never Knows” – and one of the most gorgeous and influential songs ever recorded.In 2004, Rolling Stone published its list of the 500 Greatest Songs of All Time. (I originally wrote “rip a whole in the fabric of the universe” and now I’m convinced that McGuinn was trying to do that as well!)Īt the end of the day, it’s kinda ironic that it took jazz-influenced guitar solos to create a full-fledged psychedelic rock classic, but there it is, and what’s so beautiful about the guitar solo is that McGuinn clearly didn’t know what the fuck he was doing. You’ll find that it’s stranger than knownĪnd there’s that drum roll again, which will spend the rest of the song as a spirit guide, only appearing when it is absolutely necessary to make sure the entire song stays together after McGuinn’s guitar continually threatens to rip a hole in the fabric of the universe. I love Chris Hillman’s ominous bassline, and how Jim McGuinn’s guitar comes in playing the main theme, and then almost instantly devolves (but really heightens) into an insane mess of Coltraney Shankarisms for a few seconds until setting up that opening phrase:Īnd then, for an instant, the entire universe stops, until Michael Clarke’s drum roll snaps it back into existence. I love how got banned for being about drugs when it’s so clearly about flying to London and how it inspired Husker Du to not just create the greatest cover version in rock history, but write a sequel (”Dead Set on Destruction”) where they’re stuck in London forever. I love that it’s the last Byrds song that Gene Clark had a hand in (talk about passing the torch!), and that for whatever punchline David Crosby later became, he at the very least co-wrote this. That’s right: I love “Eight Miles High” even more than “What Goes On” or “I Can See For Miles and Miles” or “Visions of Johanna” or “She Said She Said,” “Jumping Jack Flash.” There isn’t anything I don’t love about “Eight Miles High” The band were crushed to discover that their contract with CBS stipulated that the track could not be released because it had been cut at a non-Columbia studio. ![]() Ladies and Gentlemens, welcome to my favorite song from the 1960s. The Byrds originally recorded Eight Miles High at RCA’s Victor Studios, with Jim Dickson producing and Dave Hassinger as engineer. ![]()
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